alt text: The Fern Mail Gallery by Sarita Muñoz-Gómez. On a lilac-coloured and sparsely polka-dotted background, five illustrated stamps are laid out in a 3 x 2 grid. From top left to bottom right: Lithocarpus in a teal frame for ACTG, Lens culinaris in a light purple frame for Laura James, Acacia pycnantha in a red frame for Jim Weller, Pseudobombax ellipticum in a dark purple frame for Rebecca Hernandez Gutierrez, and Erythrina edulis in a grey frame for Susy V. Franco.

WORKS – The Fern Mail by Sarita Muñoz-Gómez

In ALL, WORKS by Katrina Vera Wong

Sarita Muñoz-Gómez is a Colombia-based biologist who focuses on plant evolutionary developmental biology (evo-devo) and enjoys practising graphic art. During quarantine last year, she created The Fern Mail, an illustration initiative to connect scientists around the world. It was featured in the virtual conference Botany 2021 this past July.

The Fern Mail comprises stamps wonderfully drawn by Muñoz-Gómez, with each stamp representing a scientist’s favourite subject, such as a plant, animal, astronomical or microscopic body, chemical compound, or equation.

An advocate for increased diversity in science, Muñoz-Gómez collaborates with LGBTQ+ plant scientists on Twitter and represents Colombia for SciArt LATAM. She also started sharing the stories behind The Fern Mail’s stamps, and they’re rich with experiences from different parts of the world.

In this interview with Art the Science, Muñoz-Gómez shares The Fern Mail’s origin, the community amassing through her stamps, and her hopes for the initiative’s future.

alt text: The Fern Mail Gallery by Sarita Muñoz-Gómez. On a lilac-coloured and sparsely polka-dotted background, twelve illustrated stamps are laid out in a 3 x 4 grid. From top left to bottom right: Fern in a peach frame for Alejandra Vasco, Solanum quitoense in a light purple frame for Weston Testo, Cylistela in a brown frame for Wayne Maddison, Cycad in a light yellow frame for Mario Coiro, Gingko in a light blue frame for Min Ya, Physalis in a burnt orange frame for Rocio Deanna, Aristolochia in a hot pink frame for Carlos Matallana, Euphorbia tithymaloides in an orange frame for Ivalu Cacho, Passiflora in a green frame for Rebecca Hilgenhof, a 6-petalled white flower surrounded by arrow-shaped leaves in a blue-purple frame for Keir Wefferling, a loosely circular light green mass containing worm-like black and green shapes in a purple frame for Heleen, and Arabidopsis in a blue frame for Pamela Ribone.
The Fern Mail Gallery by Sarita Muñoz-Gómez

What sparked the creation of The Fern Mail? Why “Fern”? 

It started around November 2020 during quarantine. I was very into learning to illustrate, and Alejandra Vasco, a botanist, asked for a fern illustration on Twitter. I made it for her in the form of a stamp, because I have always liked stamps and written letters (something that people don’t do a lot anymore due to the internet). So I tweeted that I had the idea to make more, so if anyone wanted their own stamp they could request it…and then it started. I called it The Fern Mail because it was the first stamp I ever made, and I love plants so that worked too! I found the first tweet about it:

alt text: Screenshot of a tweet by Sarita Muñoz-Gómez on her first illustrated stamp of a fern. The tweet reads: "So I just came up with this idea (inspired by a drawing request by @avascog) and I want to make a whole collection of these! Please, drop more ideas below (plants, animals, fungi…). I think I may add your name to each of them :)” followed by an image of the stamp containing a fern.
Screenshot of a tweet by Sarita Muñoz-Gómez on her first illustrated stamp of a fern.

How did you get into illustrating? 

I have always liked drawing, painting, and being very creative in general. During my last year as a biology undergrad, I was writing my thesis, and I realized that illustration and design are very useful in biology. I like to explain complex things in a simple way, so using cool photos and a striking aesthetic works very well. I started to try to make my slides nicer, and then I slowly moved into illustrating things that interested me.

Why illustrate in the frame of a stamp? 

I really like stamps and letters. There is something nice about it that we don’t get to experience that often anymore. Since this was a project on Twitter, I wanted it to have that warm feeling of getting a letter. I think it would be really fun if people actually used these stamps in cards, haha.

alt text: The Fern Mail Gallery by Sarita Muñoz-Gómez. On a lilac-coloured and sparsely polka-dotted background, twelve illustrated stamps are laid out in a 3 x 4 grid. From top left to bottom right: Boana picturata in a red frame for Cristian Roman-Palacios, Maize in a mossy green frame for Jeffrey Ross-Ibarra, Bryophyte in a purple frame for Anna Neubauer, Menispermites cerrejonensis in an orange frame for Gabriela Doria, Solanaceae in a green frame for Ana Rita Simoes, Meriania aurata in a pink frame for Carmen Ulloa, Gnetum gnemon in a purple frame for Choo Zeeman, Sundew in a hot pink frame for Michael Passalacqua, Quercus humboldtii in a yellow frame for Carlos A. Ordonez-Parra, Protea in a light green frame for Nora Mitchell, Erythrina crista-galli in a mustard yellow frame for Ezequiel Vera, and Tropaeolum in a baby pink frame for Natalia Pabon Mora.
The Fern Mail Gallery by Sarita Muñoz-Gómez

How many stamps have you illustrated so far? Are there goals for how many you’d like to complete or who you’d like to feature someday? 

I think there are around 60 stamps right now, which is so awesome, every single request puts a smile on my face. I would like to get to 100 stamps, and hopefully get more people outside biology involved too. I would like to feature mathematicians, chemists, physicists…I want The Fern Mail to be a community for scientists in general.

You describe it on Twitter as “a way to connect scientists around the world using illustration.” What do you hope to see in building this new network? 

I want people to have their own stamps and feel like they are part of a community where art and science come together.

alt text: The Fern Mail Gallery by Sarita Muñoz-Gómez. On a lilac-coloured and sparsely polka-dotted background, twelve illustrated stamps are laid out in a 3 x 4 grid. From top left to bottom right: Glossopteris in a blue-green frame for Avie, Scalesia pedunculata in a dark purple frame for Gonzalo Rivas-Torres, Hooded crow in a yellow frame for Ligus, Saracha in a bright purple frame for Stacey D. Smith, Fox in a red frame for Natasha Joseph, Centropogon granulosus in a brown frame for Laura Lagomarsino, Fritillaria meleagris in a pink frame for Claire Mulvey, Pollen grain in a forest green frame for Ingrid Romero, Erica bruniades in an orange frame for Michael David Pirie, Pisum sativum in a sea foam frame for Kelsey Picard, Aechmea gamosepala in a bright orange frame for Interacciones Planta-Animal UPTC, and a pink flower bud with green petal tips and protruding yellow pistil and stamens in a light purple frame for Nora Oleas.
The Fern Mail Gallery by Sarita Muñoz-Gómez

Is it important for you to share the stories behind the stamps? 

Yes, I think it’s a cool part of the project. I shared a few stories #behindthestamp before, and it was really cool to see the reasons behind choosing a species to go in the stamp. The stories give you that sense of community, and it’s a way to show that we all love science, and that there is always a species that stays in your heart and your memory.

What’s the weirdest story you’ve come across? 

I don’t think there are weird stories. They are mostly about how plants are part of your identity, your everyday life, your work, and how they have become beautiful memories. There are a few other cool stories about describing a species for the first time, going on a research trip and finding the species, or even working with locals to find that species you were looking for.

alt text: The Fern Mail Gallery by Sarita Muñoz-Gómez. On a lilac-coloured and sparsely polka-dotted background, twelve illustrated stamps are laid out in a 3 x 4 grid. From top left to bottom right: Purple 5-petalled flower hanging down from a green stem before a green shrub-like mass in a dark yellow frame for Gabriela Doria, a horizontal stem with four large green leaves and red berries at the tip in a light yellow frame for Ricardo Perdiz, a light brown reptile with black and white speckles in a sea foam frame for Deirdre Merry, a frog (with a black body, spotted blue legs, and yellow stripes running lengthwise down its body) in a red frame for Marcela U.M., Casuarina in an orange frame for Tino Quintela, a whole and half apple (Malus domestica) in a pink frame for Boulder Apple Tree Project, Medicago truncatula in a purple frame for Bea Contreras, Pisum sativum in a bright yellow frame for Valerie Hecht, Phaseolus vulgaris in a dusty pink frame for Jackie VDS, Lotus japonicus in an orange frame for Andy Rubenach, Cicer arietinum in a brown frame for Raul Ortega, and Phaseolus vulgaris in a yellow frame for Chantelle Beagley.
The Fern Mail Gallery by Sarita Muñoz-Gómez

What does The Fern Mail’s future look like? 

I would love to do a small exhibition somewhere about The Fern Mail, the stamps, and the stories behind them.

Learn more about Sarita Muñoz-Gómez on her website and follow The Fern Mail on Twitter.

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Featured Image: The Fern Mail Gallery by Sarita Muñoz-Gómez.

All images courtesy of Sarita Muñoz-Gómez.

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About the Author

Katrina Vera Wong

Katrina is a Korean-Chinese artist, writer, and editor. Learning from literature, botany, herbaria and ikebana, she makes hybrid flowers from dried or pressed plants and calls them Frankenflora. She currently writes about sciart at Art The Science, proofreads SAD Mag, and blogs at Lifeology. She also created Seagery Zine, a small print publication that explores the overlap between art, science and literature. Her Frankenflora have been exhibited in Vancouver, BC, at the Beaty Biodiversity Museum, Science World, and the VIVO Media Arts Centre. ​ Katrina was born on the traditional territory of the Haudenosaunee and Anishnaabeg (so-called Hamilton, ON), raised in Singapore, and is grateful to be living on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations (so-called Vancouver, BC). She graduated from the University of Victoria with a BSc in Biology and English. Instagram: @furiebeckite