{"id":3790,"date":"2016-10-31T11:01:07","date_gmt":"2016-10-31T15:01:07","guid":{"rendered":"https:\/\/artthescience.com\/magazine\/?p=3790"},"modified":"2016-10-31T11:02:04","modified_gmt":"2016-10-31T15:02:04","slug":"creators-jody-rasch","status":"publish","type":"post","link":"https:\/\/artthescience.com\/magazine\/2016\/10\/31\/creators-jody-rasch\/","title":{"rendered":"CREATORS – Jody Rasch"},"content":{"rendered":"

Name:<\/strong>\u00a0Jody Rasch<\/a><\/p>\n

Which came first in your life, the science or the art?<\/strong><\/p>\n

The science came first.\u00a0 I was interested in sub-atomic and quantum physics because of their philosophical nature.\u00a0 It made me question how the world works.\u00a0 The quantum world is so different from the macro world.\u00a0 In the quantum sphere how we observe something changes its very nature.\u00a0 Also, in the quantum world there is always a certain amount of uncertainty, so nothing can ever be known with absolute accuracy.\u00a0 These concepts can be transferred to the macro world and allow us to question our preconceived notions of how the world works.\u00a0 It should impact our interactions with one another and make us question the assumptions we make about ourselves and others.<\/p>\n

I wanted a way to express this feeling.\u00a0 I had been painting for almost ten years at that point, primarily doing landscape and still life.\u00a0 I wanted to find a way of incorporating my personal quest to understand the nature of the universe into my art.<\/p>\n

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White Blood Cell<\/p><\/div>\n

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White Blood Cell<\/p><\/div>\n

\"White

White Blood Cell<\/p><\/div>\n

Which sciences relate to your art practice?<\/strong><\/p>\n

The images are drawn from various science practices, including biology, astronomy and sub-atomic physics.\u00a0 The scale of the actual images contrasts with the size of the artwork.\u00a0 The biological and physics images are massively enlarged and the astronomical images are equally drastically reduced.\u00a0 The goal is to bring the images to a more human scale such that the viewer can relate to the real elements that make up our world and universe.<\/p>\n

Physics:<\/strong> The realm of particle physics is like discovering a new philosophy.\u00a0 Particles can be everywhere at once and can both be waves or particles, depending on how we observe them.\u00a0 In particle physics, nothing is certain.\u00a0 I try to incorporate these themes into the images by using phrases from particle physics such as \u201cUser Created Reality\u201d or formulas such as the one for Heisenberg\u2019s uncertainty principle.<\/p>\n

Astronomy:<\/strong> The astronomy images are drawn from radio astronomy which creates images based on differentiating light of varying wavelengths.\u00a0 The colors produced are artificial so I play with the mixtures of colors as well as some of the non-essential backgrounds.\u00a0 The themes used relate to understanding the nature of space and time.\u00a0 I use images of cosmic background radiation, the heat signature for the \u201cbig bang\u201d or images of how space-time is distorted by massive objects, which is also a proof of Einstein\u2019s theory of relativity.<\/p>\n

Biology<\/strong>: The biological images explore our relationship with nature and the duality of our existence. I use images of deadly viruses and infections that, while beautiful to look at, belie their destructive qualities.\u00a0 I also use images of symbiotic relationships between plants and bacteria as well as reproducing some vital functions including neurons and rods and cones of the eye.<\/p>\n

Thought\/Mouse Neuron<\/p><\/div>\n

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Uncertainty<\/p><\/div>\n

What materials do you use to create your artworks?<\/strong><\/p>\n

I use a variety of techniques and media to get my message across.\u00a0 I have used oils and acrylics as well as pastels, both oil and soft.\u00a0 Also, images are on paper, board and canvas.\u00a0 One recurring theme I use regardless of the medium is the use of gold in many of the images.\u00a0 The gold is drawn from the gold halos of religious painting and, in my work, symbolizes the replacement of religion with science as the way to explain the nature of the universe.\u00a0 In addition, many of the works use a pointillist technique in their construction.\u00a0 Large paintings may use tiny brush strokes and many of the large drawings use small lines to build them up.\u00a0 In these works the observer\u2019s eye blends the colors and positive and negative shapes together.\u00a0 This echoes the theme of the subject matter of \u201cObserver Created Reality\u201d.<\/p>\n

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Particle Shower 2<\/p><\/div>\n

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Particle Shower 1<\/p><\/div>\n

Artwork\/Exhibition you are most proud of:<\/strong><\/p>\n

There is no one particular artwork I\u2019m most proud of, but I have a particular interest in incorporating scientific formulas or words into the background of my work. I feel this creates additional layers of interest for the observer and shows how math can also be art. The largest show I have done was a one-year exhibition in the lobby of the Pfizer Corporation in Manhattan. It showcased a number of my larger biology pieces.<\/p>\n

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Lifeless<\/p><\/div>\n

\"deficiency\"

Deficiency<\/p><\/div>\n

Which scientists and\/or artists inspire and\/or have influenced you?<\/strong><\/p>\n

I have followed Brian Greene and Lisa Randall among others.\u00a0 I find their writings very accessible and provocative.\u00a0 As for artists, one of my favorites is Kandinsky.\u00a0 He, and other abstract expressionists incorporated science themes into their works.\u00a0 Also, they looked at art more philosophically.\u00a0 In addition, I like the techniques of expressionists such as Seurat.\u00a0 I also like the emotions that I get from Chagall as well.\u00a0 More recently I have been interested in the muted colors used by Agnes Martin and how she uses that technique to create a more contemplative feeling in her work.<\/p>\n

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Sweet\/Diabetes<\/p><\/div>\n

\"symbiosis\"

Symbiosis<\/p><\/div>\n

Is there anything else you want to tell us?<\/strong><\/p>\n

There are multiple dimensions that I am trying to communicate in my work, but mostly I want the observer to begin to question what he\/she believes. For me the exploration of the concepts behind the work is the most interesting. It allows me to question my beliefs, to think about the true nature of things, and I challenge myself to look past what is in front of me. This is what I mean by \u2018unseen\/seen\u2019. As I translate the science
\nconcepts onto paper or canvas or board, I get a greater appreciation for the beauty of the things we cannot see and how mysterious our universe really is. That is what I want to explore and communicate to the observer: look beyond what you see and discover a richer more interesting universe.<\/p>\n

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