CREATORS – Julio Lacerda

In ALL, CREATORS by McKenzie Prillaman

Name: Julio Lacerda

Which came first in your life, the science or the art?

The art. I’ve been drawing since I was around 3 years old, mostly animals. My mother is also an artist, though her focus is abstract oil paintings, so she has always been very supportive of me pursuing a career as an artist myself. It was only in the last decade or so that I really began to pay attention to all the science that is behind this kind of illustration.

Saber-toothed cat walking in a grassy field with snowy mountains behind it. Three mammoths are in the distance.
Homotherium by Julio Lacerda
Deinocheirus dinosaur in a shallow creek surrounded by leafy greenery
Deinocheirus by Julio Lacerda
Shallow, round grave with a prehistoric man and a cat
Cyprus Grave by Julio Lacerda

Which sciences relate to your art practice?

Mostly paleontology, though I’ve also dealt with aspects of archaeology and geology at times by illustrating early humans and maps of Earth at different points in time. My main focus is extinct animals, however.

What materials do you use to create your artworks?

My art is digital, done mainly in Adobe Photoshop. Though sometimes I use 3D software like Blender to create models that serve as reference for lighting, perspective, etc.

Two mammoths fighting in a grassy field in front of snowy mountains
Mammoths by Julio Lacerda
Preshistoric large cat yawning in what looks like the African savanna
Hyainailouros by Julio Lacerda

Artwork/Exhibition you are most proud of:

One of the aspects that I most admire about paleoart is its educational potential. It can be used to make people interested in the natural sciences as well as science in general, and it can teach an audience about several concepts, such as evolution and environmental balance. So some of the work I’m most proud of is for books aimed at children and teens that have been published here in Brazil. These books feature our own paleontological history and inspire new generations to become scientists themselves.

“One of the aspects that I most admire about paleoart is its educational potential.”

Julio Lacerda
Sun rays shining down on a stegosaurus in the forest
Stegosaurus by Julio Lacerda
Bright orange lizard with wing-like skin on its hind legs gliding through the forest
Sharovipteryx by Julio Lacerda

Which scientists and/or artists inspire and/or have influenced you?

I was inspired to work with paleoart in the first place by some established artists in the field, such as Gregory S. Paul, John Sibbick, Doug Henderson, and Mauricio Antón. But ever since I became involved, I’ve had the pleasure of seeing new names pop up every now and then. They keep inspiring me and showing how our community is evolving. Nowadays, artists from all over the world like Andrey Atuchin, Julius Csotonyi, Lucas Attwell, and Ville Sinkkonen make me want to keep improving.

“Ever since I became involved [in the paleoart field], I’ve had the pleasure of seeing new [artist] names pop up every now and then. They keep inspiring me and showing how our community is evolving.”

Julio Lacerda
Dolphin like creature and squid among a black ocean
Ichthyosaurus & Squid by Julio Lacerda
Looking up to the sky at an eagle swooping down to attack a dinosaur. Only the dinosaur head is visible.
Harpagornis by Julio Lacerda

Is there anything else you want to tell us?

Paleoart is not just a fun way to imagine and represent our planet’s past. It’s also an important tool to understand and prepare for the future. Through paleoart, we can bring the often complex and abstract work paleontologists do to a general audience in a way that is interesting, eye-catching, and inspiring. In doing so, we teach the importance of paleontology beyond what we see in popular culture. By studying how Earth and its environments changed in the past, we can paint a better picture of how our actions and current conditions can affect our surroundings today and in decades to come.

“Through paleoart, we can bring the often complex and abstract work paleontologists do to a general audience in a way that is interesting, eye-catching, and inspiring.”

Julio Lacerda

For more by Julio Lacerda, visit his Tumblr, Twitter, or Facebook.

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About the Author

McKenzie Prillaman

McKenzie is a fledgling science communicator working at the American Association for the Advancement of Science (AAAS). She has a background in neuroscience, and was a research assistant at the University of Virginia and a postbaccalaureate fellow at the National Institutes of Health. After years of thinking she’d become a neuroscience researcher, she discovered her passion for sharing science with others. That finding, in combination with her lifelong dabbling in the arts, led her to write for Art the Science's blog. In her free time, she can be found volunteering with the Smithsonian Associates studio arts classes, trying new foods, and wandering around her home of Washington, D.C. Twitter: @meprillaman