larger striped Pacific octopus with its tentacles extended outward.

CREATORS – Bridget Vincent

In ALL, CREATORS by McKenzie Prillaman

Name: Bridget Vincent

Which came first in your life, the science or the art?

I think my interest in both science and art started at the same time, and they have influenced one another all along the way. Nature and art have both been such big parts of my life since I was little, but I suppose I focused formally on art first while in high school. Somewhere along the line I realized how interested I was in biology because it was the subject of all my paintings. This led me to a major in biology as an undergrad, where I discovered both my interest in evolutionary questions and SciArt. Since then, I’ve embraced the integration of science and art in my career.

“Somewhere along the line I realized how interested I was in biology because it was the subject of all my paintings.”

Bridget Vincent
Euprymna scolopes or Hawaiian bobtail squid painted in orange, yellow, and red.
Euprymna scolopes (2020) by Bridget Vincent, watercolour, a watercolour painting of Euprymna scolopes
Pop art print featuring four panels of an octopus wearing goggles and a lab coat and holding a paper. Each panel is identical, but the octopus is a different color in each.
Doctopus (2019) by Bridget Vincent, pen and ink, digitally coloured
Two black and white manta rays facing away from each other with tails entwined.
Manta Ray Duet (2019) by Bridget Vincent, watercolour, part of a shark week series to show some of the biodiversity of elasmobranchs

Which sciences relate to your art practice?

My art usually mirrors what I study, so marine biology, ecology, and evolution relate the most to my work. Some pieces have been based on my research projects, some inspired by papers I’ve read, and others showcase the immense biodiversity in some groups, especially cephalopods. However, I’ve been focusing on bettering my technique lately and plan to start creating pieces that relate more directly to evolutionary principles soon.

What materials do you use to create your artworks?

I bounce back and forth between digital painting and traditional media. Lately I’ve focused on watercolour with pen and ink, but have also worked in coloured pencil, acrylic, gouache, charcoal, and graphite. Digital painting still feels new to me, but I have been learning a lot with my tablet.

Colorful betta fish with rainbow scales and blue fins
Betta (2017) by Bridget Vincent, watercolour, a betta fish study focused on the movement of fins
Five different octopuses drawn in black and white.
Museum Specimens (2020) by Bridget Vincent, pen and ink, digital, five of the sketches made while volunteering at the Santa Barbara Natural History Museum

Artwork/Exhibition you are most proud of:

This changes constantly as it’s almost always my most recent piece. This tends to be the one that showcases how I’ve progressed in my art or uses a technique new to me that I am still excited about. Besides that, I am consistently proud of one of my digital paintings, The Ceph Gang, since it’s bright, detailed, and I’m usually inspired to draw something else after studying it.

Representatives from the four extant orders of cephalopods, including a cuttlefish, a squid, an octopus, and a nautilus.
The Ceph Gang (2018) by Bridget Vincent, digital painting, representatives from the four extant orders of cephalopods

Which scientists and/or artists inspire and/or have influenced you?

There have been a whole slew of people that have inspired and influenced me as an artist. Several family members, including my mom and grandmother, are artists, so they were my first teachers. I have no doubt they had some influence on the techniques I have learned and the mediums I have become comfortable with.

Other scientists and artists—both science-focused and not—have also had an impact on how I think about my subjects and continue to inspire me when I see their work. Ernst Haeckel’s plates are some of my favourite pieces to study for their whimsical nature and intense level of detail. Then there are several artists I follow who all have different styles, but all remind me of some other element I am working toward including in my art. Bianca Roman-Stumpff’s work does a great job of showing wispy smoke, light, and highlights in an expressive manner; science artists such as Christine Liu, Rene Martin, Franz Anthony, and René Campbell constantly show me new ways science and art can me integrated; and if I need a break from reality, I look toward artists like Vincent van Gogh and Salvador Dalí.

Black and white image of octopus eggs that look like tiny octopuses inside teardrop-shaped sacks.
Giant Pacific Octopus Eggs (2019) by Bridget Vincent, pen and ink, the eggs and hatched larvae of Enteroctopus dofleini
An underwater painting of multiple types of jellyfish.
Jellyfish Sea (2019) by Bridget Vincent, digital painting, inspired by the research of one of Bridget’s lab mates

For more by Bridget Vincent, visit her website, Instagram, Twitter, or Facebook.

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About the Author
McKenzie Prillaman

McKenzie Prillaman

McKenzie is a fledgling science communicator working at the American Association for the Advancement of Science (AAAS). She has a background in neuroscience, and was a research assistant at the University of Virginia and a postbaccalaureate fellow at the National Institutes of Health. After years of thinking she’d become a neuroscience researcher, she discovered her passion for sharing science with others. That finding, in combination with her lifelong dabbling in the arts, led her to write for the Art the Science blog. In her free time, she can be found volunteering with the Smithsonian Associates studio arts classes, trying new foods, and wandering around her home of Washington, D.C. Twitter: @meprillaman